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Mesmerising New Zealand artist ALDOUS HARDING has emerged as one of the year’s most exciting voices. Igniting interest two years ago with her eponymous debut album, Harding quickly became known for her charismatic combination of talent, tenacity and shrewd wit. This year’s follow-up, Party, sees Harding shape-shift through a variety of roles: chanteuse, folk singer and balladeer, all executed with her twisted touch of humour, hubris and quiet horror. Watch her recent performance on Jools Holland for an inspired, haunting rendition of ‘Horizon’, a career-defining moment that brought her the attention she deserves.
AMY SHARK’s sleeper hit ‘Adore’ has amassed over 25 million streams since she uploaded it to triple j Unearthed just under two years ago. Earlier this year, it rose to #2 on triple j’s Hottest 100, and peaked at #3 on the ARIA chart. The brooding, coming-of-age track won fans on home ground in Australia and abroad, including actress Lena Dunham, who was not exaggerating when she said it saved her life. Her debut EP Night Thinker, which features chart mainstay ‘Weekends’, is confirmation that Amy Shark is the real deal.
We are psyched to have with us one of the world’s most exciting live acts, ANDERSON .PAAK & THE FREE NATIONALS. Breaking out via multiple lauded appearances on Dr. Dre’s surprise 2016 album Compton, .Paak has emerged as one of the most talented triple threats of the decade. The LA-based singer, songwriter and producer is a genre-bending master, effortlessly melding ’60s funk, ’70s soul, hip-hop, R&B and electronica in his own music (listen to his brilliant 2016 album, Malibu) and lending his syrupy vocals to killer singles like Kaytranada’s hit, ‘Glowed Up’, and Snakehips’ ‘Money on Me’. As one of the most prolific and hardworking artists in the biz, we’re anticipating new music very soon. Anderson .Paak is a genuine star, and it is a major honour to have him and his band join us in 2018.
BILLIE EILISH is an unfairly talented teenager with a startlingly mature outlook and an irresistible voice. Billie’s meteoric rise began in 2015 when she uploaded ‘Ocean Eyes’ to SoundCloud. She instantly became a phenomenon: an international record deal, over 90 million cumulative streams, global praise from Vogue, Interview Magazine and Elle, and the list goes on. At 16 years old, Billie will be the youngest member of the Laneway touring party. Billie has an undeniable gift for pop songwriting, an impervious sense of self and an inimitable style. We’re certain that Billie will be a Laneway 2018 standout.
Illustrious UK producer BONOBO’s steady but unstoppable rise began at the turn of the millennium. Since then, he has launched an impressive six full-length releases – including 2017’s masterful, magisterial Migration – and earned the title as one of the best electronic acts in the business. First as a DJ in the UK’s thriving club scene, and now with a live band in tow, Bonobo has converted thousands of people around the globe into fans. Listen to ‘No Reason’ (feat. Laneway alumnus Nick Murphy), and get ready for a spectacular aural journey at Laneway 2018.
Your secret crush, FATHER JOHN MISTY, is heading to Laneway in 2018. The alias of singer-songwriter Josh Tillman, FJM has released three widely acclaimed albums – Fear Fun (2012), I Love You, Honeybear (2015) and Pure Comedy (2017) – plus his recent single, ‘Ballad of the Dying Man’, and has also contributed to Beyoncé and Lady Gaga songs. Pure Comedy, FJM’s latest album, is a complex, often sardonic and equally touching meditation on the confounding folly of modern humanity. He is a sarcastic and caustic, yet sincere voice for the post-internet age.
Erudition, insight and poetic intensity have earned 22-year-old LOYLE CARNER the respect of all the right people: die-hard hip-hop fans, industry insiders and his peers. His debut album, Yesterday’s Gone, is planted at an intersection between the boom-bap of East Coast hip-hop, jazz-inflected portraits of South London and soulful laidback pop. It is an intensely personal and candid release, one that received near perfect reviews everywhere but it’s on the live stage that the endlessly charming Carner truly shines.
We’re pleased to welcome our pal, MAC DEMARCO back. A modern poet and consummate entertainer, Mac has charmed audiences around the world with his woozy, sun-drenched tales of love lost and won. The prolific 26-year-old has written, recorded and released one record a year for the past half decade practically on his own – pretty impressive for the self-proclaimed king of slacker-rock. Mac launched This Old Dog earlier this year, an LP widely regarded as an engaging step forward for an artist in his prime. It’s a thrill to have him back.
When Pitchfork’s main criticism of your EP is that it’s too short, you know you’re doing something right. LA singer-songwriter MOSES SUMNEY’s angelic, electro-folk music is basically faultless. Set to swirling synths and dark, expansive production, Sumney’s voice is intoxicating and brims with emotion, especially in the spaces where his notes linger. Listen to his track ‘Doomed’ and let it sink in. It’s really no wonder Solange wanted to collaborate with him on her 2016 album, A Seat At The Table. Sumney’s long-awaited debut album, Aromanticism, was launched on 22nd September to rave reviews by Pitchfork and The Guardian. Be among the first to hear it live at Laneway 2018.
After a rip-roaring 12 months, ROLLING BLACKOUTS COASTAL FEVER is on its way to becoming one of Australia’s breakthrough guitar bands. Having honed their craft in the thrumming confines of Melbourne’s live music scene, Rolling Blackouts C.F.’s debut EP, Talk Tight (2015), earned them multiple international nods and a stellar 8.0 Pitchfork review. Soon after, the band signed with coveted US label Sub Pop (The Shins, Beach House, Fleet Foxes), and plugged away at their sophomore EP The French Press (2017). The brilliant effort beams with the confidence and purpose of golden-era Australian rock and roll, featuring three songwriters growing in stature and voice.
22 years since their last record, SLOWDIVE has made a resounding comeback with their self-titled fourth LP, one of the strongest shoegaze albums of recent years. The band’s live return has also been rapturously received around the world. Highlights to date include a festival-conquering, sea-of-devotees Primavera Sound performance, of which Pitchfork noted: “The beauty of their crystalline sound is almost hard to believe, every note in its perfect place.” Dive into their outstanding catalogue (1991’s Just For A Day, 1993’s Souvlaki and 1995’s experimental Pygmalion) to see why Slowdive has a legion of fans, both new and old. Listen to their gorgeous new single, ‘Sugar For The Pill’. We wish every band would age this well.
SYLVAN ESSO’s sophomore album, What Now (2017), is the sound of a band truly fulfilling the potential promised by their debut album. Everything has evolved: The production is bolder, the vocals are more intense, the melodies are brighter, and the songs are that much more expansively open and cohesive. The electro-pop duo from North Carolina, comprising vocalist Amelia Meath and producer Nick Sanborn, started out in 2014 as a collaborative project between two new friends. Two records and more than 100 million streams later, Sylvan Esso has perfected the art of writing a pop song. The album’s third single, ‘Die Young’, is proof. This set is going to be energetic fun.
THE INTERNET absolutely stole the show when they last played at Laneway Festival and they’ve only gotten bigger, better and sexier since. On their third album, the game-changing, Grammy-nominated Ego Death (2015), the Odd Future offshoot truly came into their own. Then to everybody’s surprise, they went out on their own. Front-woman Syd shared her intricate, soulful debut album, Fin and Matt Martians dropped his funk-infused solo endeavour, The Drum Chord Theory. The band’s 18-year-old guitar whiz, Steve Lacy, is also a highly sought-after hip-hop producer (he’s worked with J Cole and Kendrick Lamar) who records everything on his iPhone. This year he shared Steve Lacy’s Demo, a dazzling six-song release bursting with ideas. We love them all in equal measure, but we can’t wait for their next record as a team. Hear it first at Laneway 2018!
We love THE WAR ON DRUGS. The Philadelphia-based six-piece, led by frontman Adam Granduciel, has been on the Laneway wish list since the release of their debut album, Slave Ambient, back in 2011. Their landmark album Lost in the Dream in 2014 only renewed our eagerness. The War On Drugs released their fourth record, A Deeper Understanding in August, and it’s a bona fide masterpiece – one that is sure to top this year’s Best Of lists and go down in history as the most important rock record of recent times. The album is a fully immersive experience from start to finish, layering chugging guitars, synthetic strings, vintage keyboard sounds and impressionistic lyrics delivered in Granduciel’s gravelly voice.
In 2015, North-London alt-rock outfit WOLF ALICE, led by the electric Ellie Rowsell, released their astounding debut record, My Love Is Cool, to inspire a generation. With its unique combination of grunge, indie and folk influence, it scooped them nominations for the Grammys, the Brits and The Mercury Prize and propelled them into public consciousness as one of the brightest new hopes in indie-rock. After two years of relentless touring, the release of their follow-up album, Visions Of A Life, was dropped on 29th September. If their new single, ‘Don’t Delete The Kisses’ is any indication, this album will be a career highlight.
St Jerome’s Laneway Festival 2018
Tickets
Tickets on sale from Thursday, 5 October via APACTix
Saturday 27 January – SINGAPORE – THE MEADOW, GARDENS BY THE BAY
Monday 29 January – AUCKLAND – ALBERT PARK PRECINCT
Friday 2 February – ADELAIDE – HART’S MILL, PORT ADELAIDE
Saturday 3 February – MELBOURNE – FOOTSCRAY COMMUNITY ARTS CENTRE (FCAC) AND THE RIVER’S EDGE
Sunday 4 February – SYDNEY – SYDNEY COLLEGE OF THE ARTS (SCA) AND CALLAN PARK, ROZELLE
Saturday 10 February – BRISBANE – BRISBANE SHOWGROUNDS, BOWEN HILLS
Sunday 11 February – FREMANTLE – ESPLANADE RESERVE AND WEST END
